the magic of classic house music has always lain in the way it finds a soul in the machine, eking warm organic sounds from cold circuitry. and tracks dont come much warmer or more organic than >oranges<, a glorious eight-minute slow-burner thats the second single from wolverhampton producer mark es 2011 release stone breaker. >oranges< is a track that demonstrates how the simplest of ingredients — a quietly insistent four-to-the-floor rhythm, an understated bassline, synth pads that sound like the first intimations of a balearic sunrise — can combine to create something remarkable. anyone who has got the cd/digital release of stone breaker, of course, will know this already — but this release is the first chance to own this track on vinyl, as it was absent from the albums lp release. on the flipside is a remix of >oranges< by mark e himself: the appropriately-named space dub, a lindstrøm-esque reworking that transports the track from the dance floor to some distant orbit, drifting through space on a wash of lambent fuzz-toned synths. as different as they are, both tracks share a sense of both space and intimacy, a mellow charm that is evocative and inclusive. a soul in the machine.

kaiserdisco are more often in the air than on the ground so we are lucky to gets this one from them in time! two brand new tracks out of the kaiser küche. >semiramis< has the bongos bouncing high and vocals racing in… this is a polyrhythmic and true irresistible: kaiser-tune! the kaisers once again take you by the hand and lead you to a land of tropic dance fever and continue their exploration of funky beat constructions that will put fire to every dance floor in town.
with >menon<, kaiserdisco go a different way … they combine disco claps and 60ies organ sound… writing one of these euphoria ballads that somehow keep their understatement while on the other side they keep on growing and growing… to an enormous size… we could swear this sounds like one of these classics you keep in your head all your life..., humming them to yourself... never knowing what they actually are. maybe you know?

nice price deal !!! many artists have drawn their inspiration for creating wonderful hymns from the phenomenon rainbow and sunshine, just like jules and jazper. they know just how to convince us with their ep regenboog, coming up trumps with floor orientated detroit techno confined to the facts but still giving enough space to dream

the two monkey guys are very happy to present their first longplayer. after a successful year 2011 and a massive output they want to show the world whats also going on in their mind. happy body music is not only for the dancefloor. of course youll find some techy, housy floorkillers on the lp but also tracks from the deeper techno side and a little sorted stuff from the monkey roots... hip hop and big beat! so please come in, lean back, take a coffee and have a listen to the colourful monkeyworld

mute welcomes a brand new era with the birth of their latest electronic associate label, liberation technologies. citing reference from mutes original and continuing statement of intent, the label exists to give space to and encourage artists to experiment and challenge themselves, anonymously if they choose. the first release on liberation technologies is the >spring ep< by king felix, a producer from ann arbor, michigan who has also released music as laurel halo. the spring ep draws from a melee of influences, sharply carving out its own sonic palette. driving and dramatic, its an uplifting theme-and-variation exercise on oscillation and forward motion.

next up on the much hyped local talk label from stockholm comes a straight up house burner from polish dj and producer tanzlife. with a combo of soul drenched vocal samples and jackin electronic house theories tanzlife has got a big club winner ready to drop. the ep delivers two outstanding tracks entitled heart attack and cold fire, both with a seriously classy house feel that really hits the spot if you have been a fan of local talks previous releases. even before the tracks were signed to local talk they gained support from such diverse djs like claude von stroke, dj ionik (traveller rec) and dairmount (room with a view). local talk is talking to you!

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

philadelphia producer king britt has dusted off his analogue machinery for 3-tracks of sci-fi indebted synth work. hyperdub present a brilliant and subtle curveball courtesy of phillys finest, king britt, in his new guise as fhloston paradigm. built from drum machines, analogue keyboards and 303s, and edited in the computer, these three lean and mean tracks have an unadorned feeling that build on hyperdubs love for old john carpenter style electronics, combined with dr patrick gleasons ear for the abstract, and bouncy drum machine syncopation that sounds like they are aiming for an alternative present where analogue synths are still king.

originally hatched in montreal, but currently based in london, djs anstascia and vivie-ann have established their musical blueprint by proving that they dont fit the quintessential stereotype they re toying around with. in the last few years, blond:ish has carved out its unique production recipe which focuses on the art of creating music that is organic and multi-dimensional. provocative basslines contrasted with smooth textures and sticky vocals blend into a genre of house that rebels against being pigeonholed to any specific category. now, fueled by the duos sharp taste-maker instincts and technical flair, they have not only charmed the industry masses but are set to release on the most notable labels around, including their psychedelic influenced >lovers in limbo< ep out on kompakt mid april, a record inspired by anstascias and vivie-anns interest in late 60s musical movements.

positioned as lesser-known little brother to adam beyers globally renowned drumcode brand, truesoul has to varying extent existed in the shadows since its conception in 2002. never designed to be a label that you could set your watch by, releases have come sporadically over the past nine years,albeit when they have come they have always made an impact.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

bristol hub soul motive scored a massive coup in enlisting punch drunk boss peverelist to remix >stableface<, one of the standout tracks from clouds of moments, the 2010 debut set from lithuanian experimental dubstepper eleven tigers. that they choose to complement it with two further remixes is tantamount to treating us, with both dark sky and macc on board to further re-contextualise the cracked atmospherics. in the hands of dark sky, >stableface< is twisted into a brooding dark side steppah with subtle hints of jungle pressure pervading the lower reaches, the 50 weapons trio playfully teasing with the vocal before dropping in a bassline that can only be described as rude. on the flip, macc showcases his enviable drumming skills with a heavily cinematic roller of a remix dominated by those rumbling, live rhythms

dro & lodzy are back! this is their second single on absolut freak, the follow up to the successful >not yet now< with the remixes by dilemn and gooseflesh.
after the guys reworked play pauls ryskee project (alongside bloody beetroots), autodidakt or nrotb on coco machete, they now return with a new massive track >paradis artificieux<. huge remixes by malente & slap in the bass teaming up under the alias bashed out, hostage and klipar get pressed on vinyl.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

two great new edits of nina kraviz >ghetto kraviz<. not originally commissioned they were done on the fly and deemed so hot, they had to be released! both hailing from france, amine edge is part of the french >g house< movement, whilst alex kidd is a long time cohort and member of the rekids crew. catch them whilst you can. this is a limited pressing!

lifestyle records is such a good label and only normally releases on digital but as a treat they have released this cut from ed.it and helix which as done really well on promo. this techy number squelches along providing big bass and clicky beats.

2 tracks from the mc that brought you >lidl< and was guest vocalist on mias paper planes remix that went into the us top 5. he has been around the world, finished his degree, guested on dj shadows >i m excited< and is getting ready to break out properly on his own. this is a taster for his mini album that is coming very soon, two tracks that take him in two very different directions. kunta kinte is a classic slice of funky, south african inspired house/ garage. with a strong lyrical message ab takes it back to the time when mcs had something to say other than how fly they were (not that he isnt and he will do some of those). produced by dan anderson from nu sound therapy. the tune is hot! eba eater is a quality slice of african hip hop produced by las twofifteens. it bounces!

feadz and kito met in 2008 at a music festival in australia and bonded instantly over their passion for music and music production. the pair kept in contact over the years and met up a number of times when they found themselves in the same city. in 2011 feadz invited kito to visit him in paris to work on some music. after a week in the studio an exciting new project was born, a project that celebrates their mutual love for techno music

we have decided to publish these tracks as our first release because they took inspiration from the two words label name: eleusína and recreations. thinking about that ancient mysteries and hoping they could survive till nowadays and in the future as a aid of our poor life helped us a lot in composing these tracks.
the two track ep was compost almost interely by machines with a little computer aid. cause we are only humans and conditioned by our fears and weaknesses, we have decided to make them almost mono tracks to maximize the transfer achievement to vinyl. have we took the wrong way? we do not know, but we keep some time to reflect about that and find the best balance between stereo and mono that fits our soul.
here we are, is not time for words right now, let the sounds speak.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

many prominent figures throughout history have proclaimed that you can get by with a little help from your friends now whilst this is a lovely romantic notion and does, we suppose have some (albeit very small) grounding in reality you need a bit more if you want to progress through life as opposed to simply jog in. zoo look are a good example of this, whilst sam, alex and craig have been friends for quite some time, forging their completely plutonic relationship through djing together, their latest release, number 11 on join the dots is forged from more than simply the burning fires of friendship, its born out of a love of all things deep as well as house music based. they may be mates but you can also get along very well if you have bags of talent too.

the day leonard cohen and phil spector decided to make an album together marked the beginning of one of the most controversial partnerships in either mans career.
over the course of three weeks, the pair had written 15 new songs, a selection of which ended up on the 1977 album >death of a ladies man<. it is true that a cursory listen to the album suggest that the whole thing was simply a ragbag of crazy notions thrown into the air to see where they landed. but if you pay attention, it will quickly make sense.
pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

masami akita and lasse marhaug have been working together since the mid 90ies. the first release on marhaugs (now deleted) label jazzassin records in 1995 was the >first rock< split single. in 2001 merzbow and jazzkammer (marhaugs project with john hegre) released a live album. later, akita and marhaug executed several live collaborations, but often with other artists such as hair stylistics and jim o rourke. in 2010 they finally got together to record as duo. recorded at gok sound studios in tokyo the results can now be heard as >mer mar<.
made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies, >mer mar< is a tour de force for both of these noise veterans, hinting to some classic 80s merzbow jams such as material action.

nice price deal !!! for its next release, mos calls on the services of label head aroy dee and perlon/rush hour man san proper to craft a beautiful four track ep entitled perfume. the truth of the matter is, after the friends had enjoyed something of a wild night out in amsterdam, they returned to san propers studio for a live session which involved a bottle of scotch!

m_rec ltd is proud to welcome on board cassegarin, greek-british producer tsiridis and berlin/vienna based composer and producer evirgen. in this new vinyl m_rec ltd, they show two original tracks and a remix by ed davenport. the a side opens with a painter of modern life, a track where they paint their perfect rhythm of modern life. a sequence of hypnotic techno where the rhythms are never heavy, clean sound. a brilliant and apparent melody seems to revolve around. a touch of class that only few can maintain.complete the a side, a remix of an artist who has a lot of quality: ed davenport (figure spc, liebe detail, nrk music, etc.) he drags the original track into a vortex of syncopated rhythms and deep atmospheres, the groove that comes out is amazing. on the b side cassegrain show one track. palette is very techno, the rhythm is direct and straight without stopping. light and soft sounds rise up slowly. everything is transformed into a pleasant trip, exciting and alive.

and here they are: the cream of the crop, first time on vinyl as a limited edition of 500 copies! respectfully remastered and selected by team harmonia, the music of other power sounds more contemporary in 2012 than contemporary music itself does. (take simhaghosha for example. sounds like ultra-advanced instrumental hip hop, doesnt it?) without a further ado: enjoy these intergalactic soundscapes from the mind of a true visionary. this was high tech jazz a decade before underground resistance, and instead of detroit it was recorded somewhere in the foggy forests of finland during 1978-1985.

rogue edits is a new label born for the love of the dancefloor. always with famous artists under a secret alias, its the music that matters. we release only on vinyl, once they are gone they are gone.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

from the back catalogue of the label, we lovingly remastered several of our favourite tracks from our vast selection of quality authentic house music. the artists involved on this release have all made huge contributions to the genre, each of whom have enjoyed commercial success from the music they create, but still choose to make quality underground house. these dance floor bombs were first released between 1997 – 2001, please enjoy!

willie graff & tuccillo have had a steady flow of releases helping build reputation with an emphasis on quality over quantity. individually and together they have released on labels such as delusions of grandeur, third ear, 2020 vision and rebirth. most recently they have enjoyed success following the release of brilliant releases on circus company and isgud. the duo have just remixed charles websters new single and have a busy schedule of productions and remixes to fit in around their busy dj schedules (willie is resident at cielo in nyc and pachas funky room in ibiza).

upon its release in 2011 narcosa quickly garnered support and love from tobi neumann, ellen allien, steve bug, john selway and anthony collins, to name a few. the wetyourself! crew now release a killer remix package as they enlist the talent of jennifer cardini, faster and luke solomun to reinterpret cormacs cerebral techno ballad of 2011‚ narcosa, as well as showcasing an all-new original from cormac.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

diner city sound continues the super edits vibe where they left off, with a four-track release from mannmademusic! excellently crafted, all four tracks have a warm and deep feel. so much love is a particular fav! this will revive any dancefloor!

the swizz house maestro who delivered last years miami monster likewise returns with a stunning two track 12 inch thats already been turning heads and sending many beards a scratching... dove is a beautiful piece of jazz house with afro roots and one hell of a groove. on the flip is >if u so< which will appeal to fans of cadenza.. hint hint ! disco tool house...or tip as they might say in berlin

jonny white & nitins no.19 music turns up the heat with an incredible four t track sampler that is certain to set things alight at this years winter music conference in miami… no.19 music needs little introduction at this stage, having risen from obscurity in a few short years to become one of the most talked about labels on the globe, with some of the hottest producers in dance music. to coincide with this years conference the no.19 team has put together a stunning sampler featuring four tracks from the labels artists and friends. the sampler kicks off with the superb slo-mo house of la cueva, jonny white & nitins first musical collaboration la cueva. next up is the irreseresible clockwork. they deliver an outstanding slice of deep and ominous house heaven in the heady thing you have. on the flip and jonny partner in art department and all around good egg, kenny glasgow delivers a cool and deadly retro house feast that will leave them dead in their tracks…outstanding! finally, soul clap, tanner ross and sergio santos in the guise of sect are remixed courtesy of london house don jozif, with a shuffling super-jam perfect of the burgeoning spring madness… enjoy!!

everytime romance is a new label for italo disco and pop. its all about lovely, dreamy and catchy vibes. the label presents its very own sound for emotional clubnights, shining discoballs and to sing along. the first release is produced by stefano e bene. the duo already released on compost disco (together with hard ton). for >forever in my dreams< they invited maja in their happy sunshine studio. the singer from sweden is known from her great if you love me tonight record on marco passaranis nature records. now its time to bring her wonderful voice back in the ears. the original mix of forever in my dreams has everything a romantic italo pop track needs. and the remixes by discodromo and raiders of the lost arp will convince the floors with their magic grooves for sure..

warm, sparse, subtle pulsating ambient/ambient house album.
what is behind >human too<? its the debut album by thomas bachner – the hidden mind running playtracks records, releasing his debut album. first audio studies recognise the order of the tracks: in the end, the ten stories, each embedded in the right place, shape the album like a well-written childrens book of sound. its the first glimpse into the depths of the playtracks head and it feels curious and thriving at the same time. catalogue number 11, it reaches the human ear from several directions: downtempo, house, clicks&cuts, ambient and a subtle bit of techno and jazz. by filling the albums grooves they make it an audititve pleasure, both at home and while clubbing. enjoy your meal!

after releasing some cross-eyed dance floor burners on district of corruption, little helpers and bar25, pablo roman alcalá aka beaner brought some seriously sexy bent grooves over to brooklyn for those ever lasting late night benders. his first ep for thema was a dark and tangled ode to the drug-addled prose of author, denis johnson, which was well received by a slew of various deranged djs. this time he returns to stake his place on the dance floor with four deep, fractured after-hours jams. the name mixed doubles is apt, as youll find the pairings of unlikely elements on these tracks aligning nicely… before they are slowly pried apart. of course, thats when things truly get interesting

franck roger returns with a sharp three-track release alongside talented countryman terence:terry. the pairs this is now ep blasts us into 2012, a bold and edgy step-change for real tone off the back of vintage, stateside-vibed >after all< (with mandel turner). gritty opening number hustling peoples keeps things on edge, just as they should be. roger and terrys title track accelerates smoothly into funky, retro-tinged house flow, complimented by echoes of female vocal. final offering beaucoup la fête returns to moodier territory, a 4-4 stomp with real chaotic charm and buzzing fx. together, roger and terry have produced something very, very special for real tone. their >this is now ep< is a striking record asking the listener, very simply, to dance hard and dance now… early djs supports and feedbacks by damian lazarus, tania vulcano, lee foss, ralph lawson, heidi, james priestley (secretsundaze), ryan crosson, deetron, clive henry, josh wink, magda, dj t., sasha, efdemin, d julz, jimpster, matthew dear, ellen allien, hernan cattaneo, nick curly, michel cleis, sascha dive, boris werner, le loup...

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

the italian slok consider himself more a great pasta chef than an underground contemporary electronic music artist...by the way, he had big influence on the italian breakbeat, drumnbass and jungle scene with his two debut albums they call it jungle and freak 2000, both produced for the renowned irma records. after a natural change to electronic and personal house music beats and sounds in 2006, the international club hit lonely child, released with the collaboration of satoshi tomiie & hector romeros saw recordings label (defmix production), boosted his musical career quickly. his discography also includes releases and remixes on hi profile records labels like get physical music, my favorite robot, circle music, one records, turbo, om, harthouse, plastic fantastic (stereonova), futic tokyo and many more. he currently runs on his own imprint electronic petz, a structure created for support brand new talented electronic music minds. in 2010 he released two different albums: rain, on alex flatners label circle music germany, and the fat pasta grooves on electronic petz. after an intense studio work and sounds research, the year 2012 promises to be full of new collaborations including the release of a new artist album and a live set.

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

this debut album, originally released in 1992, is named after blues-rock band the red devils favourite hollywood spot, which also happens to be the place where they cut this live album

fire are to reissue pulps 1987 album >freaks< part of the fire embers reissue series with a special 2 disc release, with the second bonus disc packed with singles and b-sides from the freaks era.

1974s >tattoo< (movlp 456) shows a man that is comfortable with his backing band, loose and impassioned despite a heavy tour schedule, this fourth studio album provided many live-favourites, and many of the songs became concert staples.
remastered audio on 180 grams audiophile vinyl with printed innersleeve.

nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.